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All Of Me Easy Clarinet Trio
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You've selected:
All Of Me Easy Clarinet Trio
Sheetmusic to print
37 sheet music found
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1
26
All Of Me - Easy Clarinet Trio
All Of Me - Easy Clarinet Trio
#
3 Clarinets (trio)
#
EASY
#
Rock
#
John Legend
#
Claire Summerbell
#
All Of Me - Easy Clarinet Trio
#
SheetMusicPlus
By John Legend. Arranged by Claire Summerbell. Score, Set of Parts. 7 pages. Published by Claire Summerbell ...
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By John Legend. Arranged by Claire Summerbell. Score, Set of Parts. 7 pages. Published by Claire Summerbell
$12.99 ≈
11.96€
You've Got A Friend In Me - Easy Clarinet Trio
You've Got A Friend In Me - Easy Clarinet Trio
#
3 Clarinets (trio)
#
BEGINNER
#
Walt Disney
#
Randy Newman
#
Claire Summerbell
#
You've Got A Friend In Me - Ea
#
SheetMusicPlus
Clarinet, Woodwind Trio - Easy/Beginner - By Randy Newman. Arranged by Claire Summerbell. Score, Set of Parts. 7 pages. Published by Claire Summerbell...
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Clarinet, Woodwind Trio - Easy/Beginner - By Randy Newman. Arranged by Claire Summerbell. Score, Set of Parts. 7 pages. Published by Claire Summerbell
This easy clarinet trio arrangement of "You've Got a Friend In Me" is lots of fun and perfect for those players who have not been playing long and want to play fun Disney music together. Part 1 is written mostly in the upper register, whilst parts 2 and 3 are all below the break making this suitable for a mixed group of beginner to early intermediate players.
Claire Summerbell is a London-based clarinetist, educator, composer & arranger. She specialises in writing intermediate jazz clarinets duets through her website Clarisheets which can be found here: http://clarisheets.com. Her work sells globally.
$13.99 ≈
12.88€
Abide With Me - Easy Clarinet Trio
Abide With Me - Easy Clarinet Trio
#
3 Clarinets (trio)
#
BEGINNER
#
Sacred music
#
Christian contemporary
#
William Henry Monk
#
Claire Summerbell
#
Abide With Me - Easy Clarinet
#
Claire Summerbell
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 1 - SKU: A0.832847 Composed by William Henry Monk. Arranged by Claire Summerbell. Christian,Contemporar...
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 1 - SKU: A0.832847 Composed by William Henry Monk. Arranged by Claire Summerbell. Christian,Contemporary,Praise & Worship,Sacred. 6 pages. Claire Summerbell #6510649. Published by Claire Summerbell (A0.832847). This easy clarinet trio arrangement of the beautiful hymn 'Abide With Me' will be popular with all ages. Suitable for beginner to intermediate players, this piece would be ideal for a school concert or church assembly.Claire Summerbell is a London-based clarinetist, educator, composer and arranger. She specialises in writing intermediate jazz clarinet duets through her website Clarisheets which can be found here: http://clarisheets.com. Her work sells globally.
$7.99 ≈
7.35€
Fly Me To The Moon (in Other Words)
Fly Me To The Moon (in Other Words)
#
3 Clarinets (trio)
#
EASY
#
Jazz
#
Tony Bennett
#
Claire Summerbell
#
Fly Me To The Moon
#
Claire Summerbell
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.832876 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Claire Summerbell...
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.832876 By Tony Bennett. By Bart Howard and Stuart Aaron Hart. Arranged by Claire Summerbell. Jazz. 7 pages. Claire Summerbell #6864919. Published by Claire Summerbell (A0.832876). This easy clarinet trio arrangement of Bart Howard's song, 'Fly Me To The Moon' is suitable for early intermediate players.The song has been sung by Kaye Ballard, Peggy Lee, and Frank Sinatra to name but a few, and has come to be known as one of the best-loved jazz standards from the 1950s.Claire Summerbell is a London-based clarinetist, educator, composer and arranger. She specialises in writing intermediate jazz clarinet duets through her website Clarisheets which can be found here: http://clarisheets.com. Her work sells globally.
$12.99 ≈
11.96€
Come live with me for clarinet trio
Come live with me for clarinet trio
#
3 Clarinets (trio)
#
EASY
#
Traditional
#
David Warin Solomons
#
Come live with me for clarinet
#
David Warin Solomons
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.575910 Composed by Traditional. Arranged by David Warin Solomons. Children,Folk,Standards,W...
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.575910 Composed by Traditional. Arranged by David Warin Solomons. Children,Folk,Standards,World. 2 pages. David Warin Solomons #2029085. Published by David Warin Solomons (A0.575910). This is part of a series of fifteen easy clarinet trios (for 1st or 2nd year students) based on traditional English, Scottish, Welsh and Irish folk songs. I was specially requested to write these arrangements by a clarinet teacher in Italy. The range does not go above the soprano top C (2 ledger lines above the treble clef) and the settings avoid the difficult transition a to b between the chalumeau and clarino ranges. The key signatures (as written) range from two flats to three sharps. The entire collection is available here as a set for $22.00 (15 easy clarinet trios) or, if preferred, the individual pieces are also available separately (at $2.50 each). As each piece comprises only one or two pages the players will be able to read directly from the scores, without the need for separate parts (which also gives the advantage of being able to see what the others are playing. The pieces are as follows: 1. The Waxie's Dargle (also known as The girl I left behind me) 2. Scotland the brave 3. The Ash Grove 4. Men of Harlech 5. The Belle of Belfast city (I'll tell my ma when I get home) 6. Donkey Riding (Were you ever in Quebec) 7. Blow away the morning dew 8. Come live with me 9. The king's joy (When the King comes home again) 10. Drunken Sailor 11. The Oak and the ash (A North country Maid) 12. Spanish Ladies 13. The Mermaid 14. And she shall walk in Silk Attire 15. The Skye boat Song (Speed bonny boat like a bird on the wing) The sound sample is an electronic preview.
$2.50 ≈
2.30€
Men of Harlech for clarinet trio
Men of Harlech for clarinet trio
#
3 Clarinets (trio)
#
EASY
#
Traditional
#
David Warin Solomons
#
Men of Harlech for clarinet tr
#
David Warin Solomons
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.575906 Composed by Traditional. Arranged by David Warin Solomons. Children,Folk,Standards,W...
(+)
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.575906 Composed by Traditional. Arranged by David Warin Solomons. Children,Folk,Standards,World. 2 pages. David Warin Solomons #2029069. Published by David Warin Solomons (A0.575906). This is part of a series of fifteen easy clarinet trios (for 1st or 2nd year students) based on traditional English, Scottish, Welsh and Irish folk songs. I was specially requested to write these arrangements by a clarinet teacher in Italy. The range does not go above the soprano top C (2 ledger lines above the treble clef) and the settings avoid the difficult transition a to b between the chalumeau and clarino ranges. The key signatures (as written) range from two flats to three sharps. The entire collection is available here as a set for $22.00 (15 easy clarinet trios) or, if preferred, the individual pieces are also available separately (at $2.50 each). As each piece comprises only one or two pages the players will be able to read directly from the scores, without the need for separate parts (which also gives the advantage of being able to see what the others are playing. The pieces are as follows: 1. The Waxie's Dargle (also known as The girl I left behind me) 2. Scotland the brave 3. The Ash Grove 4. Men of Harlech 5. The Belle of Belfast city (I'll tell my ma when I get home) 6. Donkey Riding (Were you ever in Quebec) 7. Blow away the morning dew 8. Come live with me 9. The king's joy (When the King comes home again) 10. Drunken Sailor 11. The Oak and the ash (A North country Maid) 12. Spanish Ladies 13. The Mermaid 14. And she shall walk in Silk Attire 15. The Skye boat Song (Speed bonny boat like a bird on the wing) The sound sample is an electronic preview.
$2.50 ≈
2.30€
Tell Me It's Not True
Tell Me It's Not True
#
3 Clarinets (trio)
#
BEGINNER
#
Contemporary
#
Willy Russell
#
Claire Summerbell
#
Tell Me It's Not True
#
Claire Summerbell
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 1 - SKU: A0.832834 By Willy Russell. By Willy Russell. Arranged by Claire Summerbell. Contemporary. 6 p...
(+)
Woodwind Ensemble,Woodwind Trio Clarinet - Level 1 - SKU: A0.832834 By Willy Russell. By Willy Russell. Arranged by Claire Summerbell. Contemporary. 6 pages. Claire Summerbell #6427823. Published by Claire Summerbell (A0.832834). This easy clarinet trio arrangement of Willy Russell's song 'Tell Me It's Not True' is taken from the musical Blood Brothers.All parts stay below the break, including the melody line, apart from when the tune returns for the last time, when clarinet 1 then enters the upper register.Claire Summerbell is a London-based clarinetist, educator, composer and arranger. She specialises in writing intermediate jazz clarinet duets through her website Clarisheets which can be found here: http://clarisheets.com. Her work sells globally.
$13.99 ≈
12.88€
When She Loved Me
When She Loved Me
#
3 Clarinets (trio)
#
BEGINNER
#
Walt Disney
#
Children
#
Sarah McLachlan
#
Claire Summerbell
#
When She Loved Me
#
Claire Summerbell
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 1 - SKU: A0.832849 By Sarah McLachlan. By Randy Newman. Arranged by Claire Summerbell. Contemporary. 6 ...
(+)
Woodwind Ensemble,Woodwind Trio Clarinet - Level 1 - SKU: A0.832849 By Sarah McLachlan. By Randy Newman. Arranged by Claire Summerbell. Contemporary. 6 pages. Claire Summerbell #6521813. Published by Claire Summerbell (A0.832849). This easy clarinet trio arrangement of the song, 'When Somebody Loved Me' is from the hit Disney film Toy Story.It is suitable for beginner to early intermediate level. Keep the accompanying parts soft to let the melody sing out!Claire Summerbell is a London-based clarinetist, educator, composer and arranger. She specialises in writing intermediate jazz clarinet duets through her website Clarisheets which can be found here: http://clarisheets.com. Her work sells globally.
$13.99 ≈
12.88€
She shall walk in silk attire for clarinet trio
She shall walk in silk attire for clarinet trio
#
3 Clarinets (trio)
#
EASY
#
Traditional
#
David Warin Solomons
#
She shall walk in silk attire
#
David Warin Solomons
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.575916 Composed by Traditional. Arranged by David Warin Solomons. Children,Folk,Standards,W...
(+)
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.575916 Composed by Traditional. Arranged by David Warin Solomons. Children,Folk,Standards,World. 2 pages. David Warin Solomons #2029087. Published by David Warin Solomons (A0.575916). This is part of a series of fifteen easy clarinet trios (for 1st or 2nd year students) based on traditional English, Scottish, Welsh and Irish folk songs. I was specially requested to write these arrangements by a clarinet teacher in Italy. The range does not go above the soprano top C (2 ledger lines above the treble clef) and the settings avoid the difficult transition a to b between the chalumeau and clarino ranges. The key signatures (as written) range from two flats to three sharps. The entire collection is available here as a set for $22.00 (15 easy clarinet trios) or, if preferred, the individual pieces are also available separately (at $2.50 each). As each piece comprises only one or two pages the players will be able to read directly from the scores, without the need for separate parts (which also gives the advantage of being able to see what the others are playing. The pieces are as follows: 1. The Waxie's Dargle (also known as The girl I left behind me) 2. Scotland the brave 3. The Ash Grove 4. Men of Harlech 5. The Belle of Belfast city (I'll tell my ma when I get home) 6. Donkey Riding (Were you ever in Quebec) 7. Blow away the morning dew 8. Come live with me 9. The king's joy (When the King comes home again) 10. Drunken Sailor 11. The Oak and the ash (A North country Maid) 12. Spanish Ladies 13. The Mermaid 14. And she shall walk in Silk Attire 15. The Skye boat Song (Speed bonny boat like a bird on the wing) The sound sample is an electronic preview.
$2.50 ≈
2.30€
The King's joy for clarinet trio
The King's joy for clarinet trio
#
3 Clarinets (trio)
#
EASY
#
Traditional
#
David Warin Solomons
#
The King's joy for clarinet tr
#
David Warin Solomons
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.575911 Composed by Traditional. Arranged by David Warin Solomons. Children,Folk,Standards,W...
(+)
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.575911 Composed by Traditional. Arranged by David Warin Solomons. Children,Folk,Standards,World. 2 pages. David Warin Solomons #2029093. Published by David Warin Solomons (A0.575911). This is part of a series of fifteen easy clarinet trios (for 1st or 2nd year students) based on traditional English, Scottish, Welsh and Irish folk songs. I was specially requested to write these arrangements by a clarinet teacher in Italy. The range does not go above the soprano top C (2 ledger lines above the treble clef) and the settings avoid the difficult transition a to b between the chalumeau and clarino ranges. The key signatures (as written) range from two flats to three sharps. The entire collection is available here as a set for $22.00 (15 easy clarinet trios) or, if preferred, the individual pieces are also available separately (at $2.50 each). As each piece comprises only one or two pages the players will be able to read directly from the scores, without the need for separate parts (which also gives the advantage of being able to see what the others are playing. The pieces are as follows: 1. The Waxie's Dargle (also known as The girl I left behind me) 2. Scotland the brave 3. The Ash Grove 4. Men of Harlech 5. The Belle of Belfast city (I'll tell my ma when I get home) 6. Donkey Riding (Were you ever in Quebec) 7. Blow away the morning dew 8. Come live with me 9. The king's joy (When the King comes home again) 10. Drunken Sailor 11. The Oak and the ash (A North country Maid) 12. Spanish Ladies 13. The Mermaid 14. And she shall walk in Silk Attire 15. The Skye boat Song (Speed bonny boat like a bird on the wing) The sound sample is an electronic preview.
$2.50 ≈
2.30€
The mermaid for clarinet trio
The mermaid for clarinet trio
#
3 Clarinets (trio)
#
EASY
#
Traditional
#
David Warin Solomons
#
The mermaid for clarinet trio
#
David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.575915 Composed by Traditional. Arranged by David Warin Solomons. Children,Folk,Standards,W...
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.575915 Composed by Traditional. Arranged by David Warin Solomons. Children,Folk,Standards,World. 2 pages. David Warin Solomons #2029103. Published by David Warin Solomons (A0.575915). This is part of a series of fifteen easy clarinet trios (for 1st or 2nd year students) based on traditional English, Scottish, Welsh and Irish folk songs. I was specially requested to write these arrangements by a clarinet teacher in Italy. The range does not go above the soprano top C (2 ledger lines above the treble clef) and the settings avoid the difficult transition a to b between the chalumeau and clarino ranges. The key signatures (as written) range from two flats to three sharps. The entire collection is available here as a set for $22.00 (15 easy clarinet trios) or, if preferred, the individual pieces are also available separately (at $2.50 each). As each piece comprises only one or two pages the players will be able to read directly from the scores, without the need for separate parts (which also gives the advantage of being able to see what the others are playing. The pieces are as follows: 1. The Waxie's Dargle (also known as The girl I left behind me) 2. Scotland the brave 3. The Ash Grove 4. Men of Harlech 5. The Belle of Belfast city (I'll tell my ma when I get home) 6. Donkey Riding (Were you ever in Quebec) 7. Blow away the morning dew 8. Come live with me 9. The king's joy (When the King comes home again) 10. Drunken Sailor 11. The Oak and the ash (A North country Maid) 12. Spanish Ladies 13. The Mermaid 14. And she shall walk in Silk Attire 15. The Skye boat Song (Speed bonny boat like a bird on the wing) The sound sample is an electronic preview.
$2.50 ≈
2.30€
The Waxie's Dargle for clarinet trio
The Waxie's Dargle for clarinet trio
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3 Clarinets (trio)
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EASY
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Traditional
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David Warin Solomons
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The Waxie's Dargle for clarine
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David Warin Solomons
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.575903 Composed by Traditional. Arranged by David Warin Solomons. Children,Folk,Standards,W...
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 2 - SKU: A0.575903 Composed by Traditional. Arranged by David Warin Solomons. Children,Folk,Standards,World. 2 pages. David Warin Solomons #2029063. Published by David Warin Solomons (A0.575903). This is part of a series of fifteen easy clarinet trios (for 1st or 2nd year students) based on traditional English, Scottish, Welsh and Irish folk songs. I was specially requested to write these arrangements by a clarinet teacher in Italy. The range does not go above the soprano top C (2 ledger lines above the treble clef) and the settings avoid the difficult transition a to b between the chalumeau and clarino ranges. The key signatures (as written) range from two flats to three sharps. The entire collection is available here as a set for $22.00 (15 easy clarinet trios) or, if preferred, the individual pieces are also available separately (at $2.50 each). As each piece comprises only one or two pages the players will be able to read directly from the scores, without the need for separate parts (which also gives the advantage of being able to see what the others are playing. The pieces are as follows: 1. The Waxie's Dargle (also known as The girl I left behind me) 2. Scotland the brave 3. The Ash Grove 4. Men of Harlech 5. The Belle of Belfast city (I'll tell my ma when I get home) 6. Donkey Riding (Were you ever in Quebec) 7. Blow away the morning dew 8. Come live with me 9. The king's joy (When the King comes home again) 10. Drunken Sailor 11. The Oak and the ash (A North country Maid) 12. Spanish Ladies 13. The Mermaid 14. And she shall walk in Silk Attire 15. The Skye boat Song (Speed bonny boat like a bird on the wing) The sound sample is an electronic preview.
$3.50 ≈
3.22€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.08€
All Of Me
All Of Me
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Soul/R&B
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John Legend
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Joshua S
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it's almost beginner level
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All Of Me
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Joshua S. Kim
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SheetMusicPlus
Small Ensemble Clarinet,Piano Accompaniment,Viola - Level 2 - SKU: A0.836051 By John Legend. By John Stephens and Toby Gad. Arranged by Joshua S. Kim. R...
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Small Ensemble Clarinet,Piano Accompaniment,Viola - Level 2 - SKU: A0.836051 By John Legend. By John Stephens and Toby Gad. Arranged by Joshua S. Kim. R & B,Soul. Score and parts. 24 pages. Joshua S. Kim #3452029. Published by Joshua S. Kim (A0.836051). All Of Me for Clarinet and Piano. Arranged for duet of clarinet and piano. However, viola can also benefit from this arrangement.Trio (2 clarinets, or, 1 clarinet and 1 viola with piano) is also possible from this sheet of music, for a fairly good amount of harmony has been suggested for the latter half of the song.The piano accompaniment part is very easy; it's almost beginner level.Includes score and a set of parts. (Each sheet is offered for clarinet and viola.)
$5.99 ≈
5.51€
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
Moonlight Serenade for Tuba Quintet (Jazz for 5 Series)
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Tuba ensemble
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INTERMEDIATE
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Jazz
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Glenn Miller
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Keith Terrett
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Moonlight Serenade for Tuba Qu
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Music for all Occasions
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SheetMusicPlus
Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set ...
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Tuba, Euphonium, Tuba Quintet - Intermediate - Composed by Glenn Miller. Arranged by Keith Terrett. 20th Century, Jazz, Swing, Old-time. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Moonlight Serenade" arranged here for Tuba Quintet, is an American popular song composed by Glenn Miller with subsequent lyrics by Mitchell Parish. It was an immediate phenomenon when first released in May 1939 as an instrumental arrangement and was adopted as Miller’s signature tune. In 1991, Miller’s recording of "Moonlight Serenade" was inducted into the Grammy Hall of Fame.
The song, recorded on April 4, 1939 on RCA Bluebird, was a Top Ten hit on the U.S. pop charts in 1939, reaching number three on the Billboard charts, where it stayed for fifteen weeks. It was the number 5 top pop hit of 1939 in the Billboard year-end tally. Glenn Miller had five records in the top 20 songs of 1939 on Billboard′s list.
In the UK, "Moonlight Serenade" was released as the A-side of a 78 on His Master’s Voice, with "American Patrol" as the B-side. The recording reached number twelve in the UK in March 1954, staying on the chart for one week. In a medley with "Little Brown Jug" and "In the Mood", "Moonlight Serenade" reached number thirteen on the UK charts in January 1976, in a chart run of eight weeks.
The recording was also issued as a V-Disc, No. 39A, in November 1943.
The recording used a clarinet-led saxophone section, which is widely considered[citation needed] the classic Glenn Miller style. Miller studied the Schillinger technique with Joseph Schillinger, who is credited with helping Miller create the "Miller sound", and under whose tutelage he himself composed "Moonlight Serenade".
The song evolved from a 1935 version entitled "Now I Lay Me Down to Weep", with music by Glenn Miller and lyrics by Eddie Heyman to a version called "Gone with the Dawn" with lyrics by George Simon, and "The Wind in the Trees" with lyrics by Mitchell Parish. In his biography of Glenn Miller, George T. Simon recounted how vocalist Al Bowlly of the Ray Noble Orchestra sang him the Eddie Heyman lyrics to the Glenn Miller music of "Now I Lay Me Down to Weep" in 1935. The Noble Orchestra never recorded the song. Finally it ended up as "Moonlight Serenade" because Robbins Music bought the music and learned that Miller was recording a cover of "Sunrise Serenade", a Frankie Carle associated song, for RCA Victor. They thought "Moonlight" would be a natural association for "Sunrise".
"Now I Lay Me Down to Weep" was composed in 1935 with lyrics by Eddie Heyman and music by Glenn Miller. After "Moonlight Serenade", originally released solely as an instrumental, became a smash hit in 1939, Mitchell Parish wrote new lyrics for the music under that title.
A notable vocal version can be found on Frank Sinatra’s Moonlight Sinatra released in 1965, which also contains "Moon Love", "Moonlight Becomes You", and "Oh, You Crazy Moon", which were recorded by Glenn Miller and his Orchestra. "Moonlight Serenade" can also be found on Nothing But the Best, a 2008 Frank Sinatra greatest hits compilation by Reprise, on My Way: The Best of Frank Sinatra from 1997 by Warner Bros., and the Frank Sinatra compilation Greatest Love Songs from 2002. Frank Sinatra also released the song as part of an 7" EP 33RPM single in 1966, Reprise SR1018. The song also appeared on the 2015 centennial collection Ultimate Sinatra. In 1939, Count Basie and His Orchestra recorded one of the earliest versions to feature the lyrics added by Mitchell Parish which was released as a 78 single, Vocalion 5036.
"Moonlight Serenade" has been covered by Barry Manilow, Carly Simon, The Airmen of Note of the U.S. Air Force with Air Force Strings, Charlie Haden, Marc Reift, Chet Baker with The Mariachi Brass in 1966, Santo and Johnny, Thelma Houston, Carol Burnett, Toots Thielemans, Deodato, who reached number 18 on the Billboard Easy Listening Chart, Count Basie and his Orchestra with vocals by Helen Humes in 1939, Benny Goodman and his Orchestra, Cab Calloway, The Modernaires, Gene Krupa and his Orchestra, Freddy Martin and his Orchestra, Bert Kaempfert, Ray Conniff, Mina, Dick Todd on RCA Bluebird, Geoff Love and His Orchestra, Lloyd Gregory on solo guitar, Dick Hyman, Maxwell Davis and his Orchestra, Tony Evans, Los Indios Tabajaras, David Rose, Richard Himber, Fi Dells Quartet, Waikikis, The Universal-International Orchestra conducted by Joseph Gershenson, Oleg Lundstrom, Charlie Byrd, Taco, Alix Combelle, Richard Vaughn, Lisa Ono, Eddie Maynard, Simone Kopmajer, Hamburg Philharmonia, Frankie Capp, Dave, Robert Banks Trio, Karel Vlach, Transatlantic Swing Band, the Frankie Condon Orchestra, The Romantic Strings, Paul Mauriat, Tommy Leonetti, Johnny Desmond, the Boston Pops under Arthur Fiedler, John Williams, and Keith Lockhart, Charlie Calello Orchestra, J.P. Torres and the Cuban All Stars, Tex Beneke and His Orchestra, the Manhattan Jazz Orchestra, Urbie Green, Bob Mintzer, Laura Fygi, Max Greger, Mario Pezzotta and His Orchestra, 101 Strings, Andrés Ramiro and His Orchestra, The Hiltonaires, Big Warsaw Band, Pep Poblet, Ray Anthony, Cheryl Bentyne, jazz trumpeter Bobby Hackett in 1965, The 12 Cellists of the Berlin Philharmonic, Joe Loss, Ted Heath, Lawrence Welk, Henry Mancini, James Last, Michael Maxwell and His Orchestra, John Blair, Ray Eberle, Enoch Light, Modern Folk Quartet, Buddy Emmons on steel guitar, The Rivieras, a 1950s Doo Wop group whose recording reached number 47 on the pop charts in 1959, Tuxedo Junction, Yasuko Agawa, George Melachrino, German bandleader Kurt Edelhagen, Ella Fitzgerald, Oscar Rabin, Henry Jerome and his Orchestra as a 45 single, Decca 25545, Kurt Elling, Syd Lawrence, The Ventures, Archie Bleyer, Mantovani, Bobby Vinton, who reached number 97 on the Billboard Hot 100 in 1976, and the rock band Chicago as a 1995 3 inch CD single in Japan and on the big band album Night & Day Big Band.
Jazz critic Gary Giddins wrote about the song’s impact and legacy; "Miller exuded little warmth on or off the bandstand, but once the band struck up its theme, audiences were done for: throats clutched, eyes softened. Can any other record match ’Moonlight Serenade’ for its ability to induce a Pavlovian slobber in so many for so long?" (The New Yorker, May 24, 2004).
"Moonlight Serenade" released as V-Disc 39A, VP 75, Theme Song, by the U.S. War Department in November 1943. In November 1939, Miller had a 15-minute radio series on CBS called Moonlight Serenade that ran three times a week, Tuesdays, Wednesdays, and Thursdays at 10:00 PM Eastern Time (shifting to 7:15 PM in May 1942), until September 1942, sponsored by Chesterfield.
Wartime release:
The 1939 RCA Victor studio recording of "Moonlight Serenade" was released by the U.S. War Department as V-Disc 39A, VP 75, Theme Song, in November, 1943. The recording was also released on the Navy V-Disc No. 160A. A V-Disc test pressing of a recording of the song from November 17, 1945 by the AAF Band was made but the disc was not issued. A new recording by Glenn Miller with the American Band of the Allied Expeditionary Forces was broadcast to Germany in 1944 on the radio program The Wehrmacht Hour.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$12.99 ≈
11.96€
Santa Claus Is Comin' To Town
Santa Claus Is Comin' To Town
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3 Clarinets (trio)
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BEGINNER
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Jazz
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Steve Tyrell
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Ivan Marini
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Santa Claus Is Comin' To Town
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www.dalsegno.eu
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 1 - SKU: A0.770418 By Steve Tyrell. By John Frederick Coots. Arranged by Ivan Marini. Jazz. 7 pages. Ww...
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 1 - SKU: A0.770418 By Steve Tyrell. By John Frederick Coots. Arranged by Ivan Marini. Jazz. 7 pages. Www.dalsegno.eu #4895875. Published by www.dalsegno.eu (A0.770418). Very easy arrangement of this classic Christmas piece. Ideal for Christmas concerts at school (works well with larger groups too) or to be played at home by well established beginners.All the three voices are conceived to be played below the break, with only occasional use of throat A (approached by grade) and low E. Dynamics are suggestions only.Complete set with full score (2 pages) and parts: Clarinet 1, Clarinet 2, Bass Clarinet.Suitable for larger clarinet ensembles too.Card size parts and Eb transpositions available at simply request.Duration ca. 2 minutes, 6 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$12.99 ≈
11.96€
20 Easter Hymn Duets for Flute and Clarinet with Piano: Vols. 1 & 2
20 Easter Hymn Duets for Flute and Clarinet with Piano: Vols. 1 & 2
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Flute, Clarinet, Piano (trio)
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EASY
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Sacred music
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Various
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20 Easter Hymn Duets for Flute
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SheetMusicPlus
Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Religious,Sac red,Traditional. 108 pages. Ben Dockery #813071. Published by Ben Docker...
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Composed by Various. Arranged by B. C. Dockery. Christian,Easter,Religious,Sac red,Traditional. 108 pages. Ben Dockery #813071. Published by Ben Dockery
These twenty classic Easter hymns have been arranged for flute and B-flat clarinet duet with optional piano accompaniment. Great for preludes, offertories, postludes, recitals, and lessons. Easy enough for early-intermediate students to learn and for more advanced players to sight-read. Includes scores and individual parts.
Alleluia! Alleluia! (Ode to Joy) * Are You Washed in the Blood? * At the Cross * Christ Arose (Low in the Grave He Lay) * Christ the Lord is Risen Today * Crown Him With Many Crowns * Down at the Cross * He Lives (I know That My Redeemer Lives!) * I Stand Amazed in the Presence (How Marvelous) * Jesus Paid It All * Jesus Saves * Near the Cross * Nothing But the Blood * O Sacred Head, Now Wounded * O the Blood of Jesus * Tell Me the Story of Jesus * The Old Rugged Cross * There is a Fountain * Were You There * When I Survey the Wondrous Cross.
$17.99 ≈
16.56€
Easy Ensemble Music
Easy Ensemble Music
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Easy Ensemble Music
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SheetMusicPlus
Twenty-three patriotic and seasonal selections, hymns, gospel songs and choruses From the Forward: EASY ENSEMBLE MUSIC is...
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Twenty-three patriotic and seasonal selections, hymns, gospel songs and choruses From the Forward: EASY ENSEMBLE MUSIC is a collection of patriotic and seasonal selections, hymns, gospel songs and choruses. It has been prepared for use by church ensembles in various types of programs and services. It is also practical for school ensembles, which today are an important adjunct of the instrumental music teaching program. This volume is intended to help provide worthwhile and instructive music that is interesting to perform for players just beyond the beginner stage (or Grade II as defined by the Instrumentalist Magazine.) It will probably be used most often by youngsters who will need to spend time in individual practice before performing the selections with a group. However, more experienced musicians will find the contents pleasant to play without being taxing. Most selections are of modest length, have ample time for lead parts to catch their breath, and do not make undue demands upon range, technique, or rhythmic virtuosity. All selections are scored for a five (or four) part brass ensemble. Performing groups must have at least one book for each part (with the possible exception of Part 5, Tuba) in order to obtain satisfactory harmony. The parts are distinguished as follows: Part 1: C Instruments (Violin, Oboe, Flute); 1st Bb Trumpet or Cornet (Bb Clarinet) Part 2: 2nd Bb Trumpet or Cornet (Bb Clarinet) Part 3: Trombone (Baritone bass clef, Bassoon, Cello); F Horn (English Horn); Eb Horn (Alto Saxophone, Eb Alto Clarinet) Part 4: Trombone (Baritone bass clef, Bassoon, Cello); Baritone treble clef (Tenor Saxophone, Bass Clarinet) Part 5: Tuba or Sousaphone (Bassoon or Cello with occasional lower range limits, String Bass 8vb) WESLEY L. HANSON
Song List
: Abide with Me America America The Beautiful Assurance March Away In A Manger Christ Arose Come, Ye Thankful People, Come Fairest Lord Jesus Faith of Our Fathers Father, We Thank Thee Fishers Of Men For All The Saints For The Beauty Of The Earth Great Is Thy Faithfulness How Firm A Foundation Jesus Loves Me Now The Day Is Over O Come, All Ye Faithful O Worship the King Old Hundred Silent Night The B-I-B-L-E When I Survey the Wondrous Cross
$11.95 ≈
11.00€
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All Of Me Easy Clarinet Trio
